SYNOPSIS
Why would a tuxedo-clad trio of lounge musicians cover hardcore
punk songs? Rolling Stone magazine polled their
staff and voted Black Velvet Flag "Critic's Pick for the Best
Unsigned Band for 1994." Lauded by the Village Voice and
praised by music critics in New York City, Black Velvet Flag performed
to roaring applause and barbarous insults from
the hardcore punk faithful. Disc jockeys played their music on alternative
radio stations in college towns across the United States. Yet, Black
Velvet Flag's ambitions and the circumstances that unfolded as their
fame rose, became a story that every want-to-be pop musician has
endured.
The music of Black Velvet Flag consciously mocked the audience's
craving, not for resisting conformity, but for the
nostalgia of resisting conformity at a time when "alternative" culture
was more marketable than the mainstream. Strangely
enough, the band members themselves played for a variety of changing
motives whose conflicts expressed the very
contradictions that made them interesting. And onsequently, these
opposing motives of fame and creative purity set the scene for capricious
conflict in this documentary about the rise and fall of one unusual
band.
How did Fred Stesney (singer), Jeff Musser (bass player), and Jason
Zasky (guitarist) come together to make their music? Why did they
gain such attention? How did their brief and limited brush with fame
dissipate and dissolve?
The Rise and Fall of Black Velvet Flag documents the experience
of three quirky young men who desire to make a mark in the world
of popular music, while trying to hang on to their impulse to remain
simply middle-class. Their story is an
example both of the process of the commercialization of youth culture,
and of the experiences that ambitious musicians must endure. While
this band made people think about how Punks grew up, it was also
a band that attempted to reconcile the contradictions of their lives,
and their generation.
More About the Documentary
The Rise and Fall of Black Velvet Flag begins with three young men
in a Chinese restaurant mulling over their promising fate, plentiful
local fame, and lack of fortune as musicians. Together they must
garner the energy and courage to get on a plane, go on tour, and
share their music with the fans where two of the band members grew
up - Los Angeles. Will they find more fame and some real fortune,
or will it be a lark, a last hurrah of youth? But wait! What kind
of music are we talking about? Who are these guys? And has anyone
really heard of them?
"Ever feel like telling the world to fuck
off? Well sit back and have a drink. We're Black Velvet Flag and
we're here to
entertain you."
Fred Stesney (singer) opened their shows with this line, as Jason
Zasky (guitarist) and Jeff Musser (bass player) unwound their jazzy
groove with mellow angst from two strange bed-fellows of popular
music - lounge jazz and hardcore punk rock. The place and time was
New York City in the mid-nineties. Martinis and cigars were hip,
former punks eased into the thirty-something age bracket, and the
internet boom made young people flush and ready to spend it in clubs
around the city. This moment was fifteen years after eighteen year-olds
started slam dancing to thrashing guitars and subversive lyrics that
put into question the values of Western Civilization.
Our humble Chinese meal came after Black Velvet Flag staged a series
of early well-publicized shows. The trio performed in small New York
clubs - Mercury Lounge, Wetlands, Brownies, Fez and even the sizeable
club, Tramps. And in just a few brief interludes with the club-going
public, the music press celebrated their performances and their cleverness.
Comedian and TV host Jon Stewart hosted them for an appearance on
one of the pilot shows created for television.
Invitations to play at parties and clubs were abundant. And the ultimate
stamp of New York scene ascendance arrived
only four months after their first public appearance - a show at
CBGBs recorded live for a release on the small independent label,
GoKart Records.
Their rehearsals were not always easy as the fame and opportunity
exceeded the depth of each of the band member's working relationships.
Jason, the consummate and well-trained guitarist, wanted the best
possible arrangement of music to secure a career as a studio musician.
Fred, the witty and charismatic singer, searched for the most interesting
dysfunctional character he could create with every song. And Jeff,
the conceptual thinker behind the band's creation, wanted to keep
his ideas pure and simple, regardless of commercial pressures.
Felice Ecker, the band's publicist, had the clearest sense of what
this trio was about. For her, Black Velvet Flag was an
"art project": an expression of the anxiety of youth giving
way to adulthood, of punks cum grown-ups seeing their ideals
compromised by their middle-class desires. And most on the mark,
Felice asserted that the parody of punk that Black Velvet Flag expressed
so ironically, was really a declaration of ownership of what was
once theirs - punk music and
culture itself.
Record producer Greg Ross kept the CDs burning as long as the interest
was strong. With an impressive performance
on the College Music Journalist charts, and mostly praise from music
critics around the country, Black Velvet Flag's debut album, Come
Recline, a parody of the classic punk documentary, The Decline of
Western Civilization, put the band on a publicity roll. At the moment
of their Chinese meal, the band's impending tour on the West Coast
looked promising.
On their last evening together before departure, the lurking questions
arose about what the tour will bring:
Would they get chicks? Up to this moment, so many opportunities were
blown. Girls would hang out with them, drink with them, and take
off their clothes on stage with them. But when it came down to it,
the groupies all seemed a little too dangerous (and young) for their
tastes. Or was the band just too old to really party?
Would they score a real record deal with a major label? So far,
they flirted with larger labels after abundant college radio
play. They were even voted the "Critic's Pick for the Best Unsigned
Band for 1994" by Rolling Stone magazine. But
why? Great music or clever concept? Would a record company take a
chance on a concept?
Would they still like each other after they come back? The motives
for the tour were very different among each of the
band members. Jason wanted a music career as a studio guitarist.
Fred wanted as much press as he could get. And
Jeff wanted to see his ironic concept find its audience. As different
as each of their objectives were, they still had the
hunger for adventure in California, the home of the music that inspired
the band. If anyone would "get" the band, Fred
proclaimed, they would have to be ex-punks of their own generation.
The tour and the subsequent studio record would prove to be the
test of their fortitude and desire. Los Angeles, San
Francisco, Las Vegas, Sacramento, Orange County, San Diego - all
these cities would meet them with curiosity and
sometimes astonishing praise (or sometimes indifference). Their will
to live and commit themselves to their art and their
ideas would be tested, along with their friendship and talent.
In the end, this trio lived an unforgettable journey that made them
discover what they really wanted in life, and what they did not.
The Rise and Fall of Black Velvet Flag ultimately documents the experience
of three average, but quirky, young men, caught up in the conflicting
desire to make a mark in the world of popular music, while still
hanging on to their desire to remain middle-class. And as we join
them on their curious, and at times hilarious adventure, we realize
just how some Punks grew up, and how they reconcile the contradictions
of their lives, and of their generation.